From Lyric Lyre Lesbian Poetics: 

The high lyric is a poetic technology which allows for the collapsing of decipherable images and senses. It is a mode of navigating the in-between, not with clarity but with reign. The high lyric is surviving negligence. The high lyric is a reterritorialization of what is possible. Stanza translates to ‘room’. High lyric architectures grant permission to activate a high lyric life: a door to walk through, a home, a bedroom where a Beloved lays. Therefore, the high lyric allows for the impossible. The high lyric is non-exclusionary: allowing the voices of ghosts, angels, dreams, and spells to gain form and body. The high lyric is a tapestry of non-linear knots of space and time, fielding the possibility of individual interpretations for each lonely and unrepeatable “I”. The obscurity of the high lyric humanizes the obscurity of an apocalyptic world by making indecipherable violences capable of the facing. The State uses a silencing tactic of bombarding the senses; the high lyric rebukes this atrophy with a similar, fantastical real. The high lyric speaks to a tradition of history which relies on image over language: bridging linguistic, cultural, sensorial and spatio-temporal barriers across distances. The lyric is a tool I use to face my enemies and to articulate my comrades. The high lyric is how I make dreams a practice of the tangible. The high lyric is how I dream awake.